History’s Shadow comprises my series of re-photographed x-rays of art objects from antiquity. I have culled these x-rays from museum archives, which utilize them for conservation purposes. Through the x-ray process, the artworks of origin become de-familiarized and de-contextualized, yet acutely alive and renewed.
My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes.
The x-ray serves as a means to explore mythological themes expressed through ancient objects. The shadow-worlds they occupy are informed by the black space surrounding the images, which in some instances becomes a vast nether world, and in others becomes the velvety ground of some kind of brain scan/portrait. The project’s title of History’s Shadow refers both to the literal images that the x-rays create as they are re-photographed, and to the metaphorical content formed by the past from which these objects derive.