As he points out, “I don’t capture moments, I capture ideas.”
I was traveling in search of people who have decided to escape from social life and live all alone in the wilderness, far away from any villages, towns or other people. The majority of my trips were done in Russia.
Like Instagram? Love Bernhard Edmaier’s photography? Then try Dronestagram, a great photo-sharing site that celebrates its first anniversary this month. Drone photography, which places remote-controlled cameras onto small unmanned aircraft, has been used by paparazzi photographers for some time now. However landscape, fine-art, nature and documentary photographers are starting to buy radio controlled quadcopters with dedicated cameras to extend their reach.
Photojournalist Peter Menzel and writer Faith D’Aluisio have satiated our curiosity in a new way, breaking down what individuals from all over the world eat in one day. In “What I Eat: Around The World In 80 Diets,” Menzel and D’Aluisio document a stunning array of individuals’ daily sustenance. The subjects of ‘What I Eat’ run the gamut from a coal miner and a call center operator to a sumo wrestler.
It all started when I happened to catch a glimpse through a basement window of the museum of natural history one night: an office with a desk, a computer, shelves and a stuffed antelope. This experience left me wondering: what does a museum look like behind the scenes? How are exhibits stored when they are not on display? I was intrigued by these questions when I started to work on this project after being granted permission to take photographs on museum premises. Due to the sheer size of the museum (it covers an area of 45.000 square metres!), this series soon turned out to be a long term project. I started to focus on the less well known departments of the museum and their contents. Therefore, the focus of this study is not on the exhibition spaces of the museum of natural history, but on the space behind the scenes, particularly depots, cellars, and storage rooms assigned to individual departments which are generally not accessible to the public. These spaces are used for the storage of countless exhibits belonging to various collections, sorted following a rigidly scientific classification system, but also taking into account the limited storage space available. As a photographer with limited knowledge of scientific research methods, the museum’s back rooms presented to me a huge array of still lives. Their creation is determined by the need to find space saving storage solutions for the preservation of objects but also the fact that work on and with the exhibits is an ongoing process. Full of life, but dead nonetheless.
In terms of space exploration, nothing was more on the public mind in 2013 than Mars. When Mars One asked people to register to potentially take a one-way trip millions of miles away from home, over 200,000 people signed up. Even moonwalker Buzz Aldrin published a whole book in May on why we should get there by 2035. So, now more than ever, it’s fascinating to look at the images we have from the Red Planet, and it just so happens that NASA has a whole collection in 3D.
“If I win, the tiger wins,” photographer Steve Winter said at his talk earlier this week at the Explorers Club in New York. For two decades he’s traced tigers through the forests of Indonesia, Myanmar, Thailand, and India, on a quest for images that would stop people in their tracks, to spend more than a passing second with, and hopefully inspire passion about conservation.