Around the world in 80 diets

Photojournalist Peter Menzel and writer Faith D’Aluisio have satiated our curiosity in a new way, breaking down what individuals from all over the world eat in one day. In “What I Eat: Around The World In 80 Diets,” Menzel and D’Aluisio document a stunning array of individuals’ daily sustenance. The subjects of ‘What I Eat’ run the gamut from a coal miner and a call center operator to a sumo wrestler.

What I eat – link to article and pictures

Skeletons in the Closet

It all started when I happened to catch a glimpse through a basement window of the museum of natural history one night: an office with a desk, a computer, shelves and a stuffed antelope. This experience left me wondering: what does a museum look like behind the scenes? How are exhibits stored when they are not on display? I was intrigued by these questions when I started to work on this project after being granted permission to take photographs on museum premises. Due to the sheer size of the museum (it covers an area of 45.000 square metres!), this series soon turned out to be a long term project. I started to focus on the less well known departments of the museum and their contents. Therefore, the focus of this study is not on the exhibition spaces of the museum of natural history, but on the space behind the scenes, particularly depots, cellars, and storage rooms assigned to individual departments which are generally not accessible to the public. These spaces are used for the storage of countless exhibits belonging to various collections, sorted following a rigidly scientific classification system, but also taking into account the limited storage space available. As a photographer with limited knowledge of scientific research methods, the museum’s back rooms presented to me a huge array of still lives. Their creation is determined by the need to find space saving storage solutions for the preservation of objects but also the fact that work on and with the exhibits is an ongoing process. Full of life, but dead nonetheless.

Link to images

3D Photographs of Life on Mars, Taken by Robots

A 360 degree view of Mount Sharp on the southern horizon, taken by Curiosity on Jan. 23, 25, and 26, 2013 (via Navigation Camera, NASA/JPL-Caltech) (all images courtesy NASA)

In terms of space exploration, nothing was more on the public mind in 2013 than Mars. When Mars One asked people to register to potentially take a one-way trip millions of miles away from home, over 200,000 people signed up. Even moonwalker Buzz Aldrin published a whole book in May on why we should get there by 2035. So, now more than ever, it’s fascinating to look at the images we have from the Red Planet, and it just so happens that NASA has a whole collection in 3D.

Article and printable 3D glasses

Tigers Forever: Can Nature Photography Inspire Conservation?

A tiger peers at a camera trap it triggered while night hunting in the  forests of northern Sumatra, Indonesia. (Photo by Steve Winter/National Geographic)

“If I win, the tiger wins,” photographer Steve Winter said at his talk earlier this week at the Explorers Club in New York. For two decades he’s traced tigers through the forests of Indonesia, Myanmar, Thailand, and India, on a quest for images that would stop people in their tracks, to spend more than a passing second with, and hopefully inspire passion about conservation.

Article

Victorian Photo Tricks, From Hidden Mothers to Eyes on the Dead

Hidden Mothers (courtesy  Mackbooks)

While spirit photography is pretty well-known (thanks in large part to Lincoln’s “ghost”), here are a few other tricks that you might not know about. Recently, Linda Fregni Nagler published a book called The Hidden Mother where she compiled over a thousand photographs of a parent masquerading as a chair beneath a cloak. As the exposure could take a good part of a minute, and children aren’t exactly thrilled to sit still for their portraits, parents  would hide and hold them still. But the results were kind of creepy — like specters looming up behind the uneasy kids. There was always this sense of a high mortality, too, especially for children, making the ghostly presences especially ominous.

HyperAllergic Full Article & Pictures

A Brutal and Beautiful Planet: The 2014 World Press Photo Winners

The 2014 World Press Photo of the Year John Stanmeyer/VII Photo Agency for National Geographic

The 2014 World Press Photo contest awardees were announced today, with the winners for the major photojournalism prize showing both the wonder and violence of the past year.

World Press Photo winners are viewable online at the World Press Photo site.

Elaborate Non-Photoshopped Scenes in Her Small Studio

Like American artist Sandy Skoglund, Jee Young Lee creates highly elaborate scenes that require an incredible amount of patience and absolutely no photo manipulation. For weeks and sometimes months, the young Korean artist works in the confines of her small 360 x 410 x 240 cm studio bringing to life worlds that defy all logic. In the middle of the sets you can always find the artist herself, as these are self-portraits but of the unconventional kind. Inspired by either her personal life or old Korean fables, they each have their own backstory, which of course, only adds to the intense drama.

MyModernMet profile & images

Film Photography Explained to Modern Kids

Film Photography Video

Animal Locomotion: Reanimating Muybridge’s 19th Century Illustrations with GIFs

article-image

The 19th century photographs by Eadweard Muybridge captured something that had previously been too fleeting for the human eye: the mechanics of animal locomotion.

In his 1893 book Descriptive Zoopraxography, or the Science of Animal Locomotion made Popular, Muybridge described his most famous animal locomotion capture of a horse. The series of photographs aimed to settle a dispute over ”the possibility of a horse having all of his feet free of contact with the ground at the same instant, while trotting, even at a high rate of speed.” The photographs revealed conclusively for the first time that a horse’s feet do indeed leave the ground all at once while in full gallop, the horse pulling its legs briefly underneath itself before sprinting forward.

Atlas Obscura Article & Gifs

Flow Charts: Edward Burtynsky’s photos of the world’s watery parts

Burtynsky generates a revelatory tension between the images’ environmental content (and, indeed, their advocacy) and the aestheticizing of ecological stress, if not outright disaster.  Of course, this theme of how people flourish with and simultaneously corrupt the environment is one Burtynsky has explored many times over the past two decades. Originally taking inspiration from American photographers Ansel Adams and Edward Weston, Burtynsky eventually turned to landscape revisionists such as Robert Adams, Joe Deal, Louis Baltz, and especially Frank Gohlke (a group often labeled the New Topographics) who were determined to keep the human element in the frame, and not present nature as pristine in its isolation.

Link to article

Photographer’s website